Teaching Philosophy

Throughout my student career I absorbed the fine arts as a whole, taking dozens of extra courses and side-jobs purely to gain the experience and knowledge they granted.

—jazz composition, jazz music theory, advanced counterpoint, Schenkerian analysis, visual arts, dance classes, literary arts 101-104, screenwriting, film history, poetry, and much more! The endless rigor required, all while being in one of the country's top violin performance departments, disciplined my allocation of time.


Skills like: scheduling, communication, cooperation, calculation, outreach, calmness, focus, organization, attention to fine detail — are applicable to all areas of life — were honed in the fine arts. My teachers applied those in their mentorship of me. I stay grateful and inspired by their passions as educators. That same passion passed on to me, stronger than ever.


My passion is the encouragement of today's artists to become the dynamic, far-reaching, culture-penetrating artists tomorrow needs, and to be an uncompromising example of this.

When asked by Channel 6 PBS to "describe the best teacher in three words,” I answered, “still a student”. I stand by this one-hundred percent. My mentors led by example, and allowed students to see their learning processes in real time. I observed that they never stopped learning. The best were humble enough to learn from anyone, anytime, anywhere.

From my mentors, I inherited an insatiable persistence to improve, learned their uncompromising integrity in professional business, and adopted their passion for educating the world through the arts. This career model formed the motto of my teaching philosophy —

Learn with every opportunity and teach by example.